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Authentic modern: Domesticity and the emergence of a middle class culture in late Ottoman Beirut.

機譯：真實的現代：奧斯曼帝國貝魯特晚期的家庭生活和中產階級文化的出現。

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This dissertation investigates domesticity as a site for the production of modernity in late Ottoman Beirut. It focuses specifically on the material aspects of the home in trying to understand its formation in relation to urban management, intellectual discourses, and changing trends of domestic consumption. As a state institution, the municipal council played a role not only in the home's alignment along the ideals of a modern urbanity outlined at the imperial center but also in commodifying the home. The council deployed the category of "public benefit" as a means of inclusion and exclusion in the process of urban generation and of recasting the home as property subject, like any other property, to the value-creating processes of the real estate market. Intellectuals in Beirut posited the home as a direct challenge to the homogenizing transformations in the public sphere and as a model for the wider political participation of an emerging middle class. Managing a changing material world using the category of "taste" stood central to this discourse of domesticity. As cultural capital, taste constituted an attempt to carve a place for an emerging middle class vis-a-vis the upper classes as well as to articulate an inner sphere of "Oriental" culture localized in the home and distinguishable from ifranji (Western/European) fashionable adoptions.;In the absence of formative state institutions and a hegemonic intellectual project, a fuller understanding of modern domesticity needs to pay heed to the home as a space of consumption. I explore how "things" escape their status as objects, constructed by subjects, and participate in the formation of domesticity. Beyond legislative and intellectual attempts at getting the material environment under control, domestic things lent the home its own hierarchy of spaces and stretched relations across a gendered public/private divide. Most significantly, the labor that came into the production of domestic objects complicated the intellectual injunction to consume local, challenged prescriptions for moderate consumption in the discourse of domesticity, and made the task of distinguishing between Oriental and ifranji objects---and therefore consumption habits---irrelevant.

機譯：本文研究了奧斯曼帝國貝魯特晚期作為現代性生產場所的家庭生活。它特別關注房屋的物質方面，以試圖了解其與城市管理，知識話語和家庭消費變化趨勢有關的形成。作為一個國家機構，市議會不僅在按照帝國中心概述的現代城市理想調整房屋結構方面，而且還在使房屋商品化方面發揮了作用。理事會將“公共利益”類別作為城市產生過程中的包含和排除手段，并將房屋作為財產主體（像其他財產一樣）重塑到房地產市場的創造價值過程中。貝魯特的知識分子認為，住房是對公共領域同質化轉型的直接挑戰，也是新興中產階級廣泛參與政治的典范。使用“品味”類別來管理不斷變化的物質世界，對于這種關于家庭性的論述至關重要。作為文化資本，品味試圖為新興的中產階級相對于上層階級創造一個位置，并闡明本地化并與伊夫蘭吉（西方/歐洲）有區別的“東方”文化的內部領域。）；在缺乏形成性的國家機構和霸權的智力計劃的情況下，對現代家庭的全面了解需要注意家庭的消費空間。我探索“事物”如何擺脫其作為主體，由主體建構的對象的狀態，并參與家庭化的形成。除了通過立法和思想上的手段來控制物質環境外，家庭用品還賦予了房屋自己的空間等級，并在性別上的公共/私人鴻溝中延伸了關系。最重要的是，生產家用物品的勞動使知識禁令復雜化，以在本地化的話語中消費本地的，有挑戰性的適度消費處方，并承擔了區分東方物品和伊夫蘭吉物品的任務，因此也要區分消費習慣---無關緊要。

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作者
Abou-Hodeib, Toufoul.;
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作者單位

The University of Chicago.;

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授予單位 The University of Chicago.;
學科 Anthropology Cultural.;History Modern.;History Middle Eastern.
學位 Ph.D.
年度 2010
頁碼 265 p.
總頁數 265
原文格式 PDF
正文語種 eng
中圖分類 B9;
關鍵詞
入庫時間 2022-08-17 11:36:55

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Authentic modern: Domesticity and the emergence of a middle class culture in late Ottoman Beirut.

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