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    首頁> 外文學位 >In Dust We Trust A Narrative Journey into the Communal Heart of Public Art at the Burning Man Festival.
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    In Dust We Trust A Narrative Journey into the Communal Heart of Public Art at the Burning Man Festival.

    機譯：在《燃燒的人》節上，《塵埃中的敘事之旅》相信公共藝術的公共心臟。

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    摘要

    The Burning Man Festival, a free-spirited yet highly sophisticated social experiment celebrating "radical self expression and radical self reliance" is well-known for its large-scale and highly interactive public art installations. For twenty-five years, Burners (as festival participants are called) have been creating and displaying amazing works of art for the annual event, which currently takes place in Nevada's Black Rock Desert. In the desert, Burners build a temporary city, appropriate the open space to serve as their "tabula rasa" or "blank canvas," and unleash their creative potential in the name of "active participation" and social civility. In the process, they produce public art on a scale unprecedented in United States history.;This dissertation, a visual and narrative ethnography, explores the layers of aesthetic and social meanings Burners associate with public art. Told in narrative form, this project utilizes "in situ" field notes, photographic field notes, rhetorical analyses of art installations, thematic analysis of Burner storytelling, and writing as a method of inquiry as means for investigating and understanding more fully the ways Burners create, display, and consume public art.;Findings for this project indicate Burners value public art beyond its material presentation. Preparing for, building, celebrating, and experiencing aesthetic transformation through the engagement of public art all are viewed as valuable "art" experiences at Burning Man. Working in tandem, these experiences also produce profound feelings of connection and collaboration in the community, suggesting Burning Man's methods for producing public art could serve as model to follow, or points for reflection, for other groups wishing to use public art and other forms of material expression to bring their members closer together.
    機譯：燃燒人節是一個自由奔放但高度復雜的社會實驗，旨在慶?！凹みM的自我表達和激進的自我依賴”，以其大型且高度互動的公共藝術裝置而聞名。二十五年來，Burners（被稱為節日參與者）一直為該年度盛事創作和展示令人驚嘆的藝術品，該盛事目前在內華達州的黑巖沙漠舉行。在沙漠中，伯納斯（Burners）建造了一個臨時城市，為其提供了“積極參與”和社會文明的名義，創造了適當的開放空間，用作其“白板”或“空白畫布”，并釋放了其創造潛力。在此過程中，他們以前所未有的規模制作公共藝術。本論文是一種視覺和敘事民族志，探討了伯納斯與公共藝術相關的美學和社會意義。該項目采用敘述形式，利用“現場”現場筆記，攝影現場筆記，對藝術裝置的修辭分析，對Burner故事的主題分析以及寫作作為一種探究方法，可以更全面地研究和理解Burners的創作方式，展示和消費公共藝術品。該項目的結果表明，Burners重視公共藝術品的實質性展示。通過參與公共藝術來進行準備，建造，慶祝和體驗美學轉變，在《燃燒的人》中，所有這些都被視為寶貴的“藝術”體驗。這些經驗共同作用，在社區中也產生了深厚的聯系和協作感，這表明“燃燒的人”的公共藝術創作方法可以作為其他希望使用公共藝術和其他形式的團體的榜樣或反思的對象。物質表達，以使他們的成員更緊密地聯系在一起。

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    • 作者

      Stewart, Karen Ann.;

    • 作者單位

      Arizona State University.;

    • 授予單位 Arizona State University.;
    • 學科 American Studies.;Language Rhetoric and Composition.;Speech Communication.
    • 學位 Ph.D.
    • 年度 2010
    • 頁碼 314 p.
    • 總頁數 314
    • 原文格式 PDF
    • 正文語種 eng
    • 中圖分類
    • 關鍵詞

    • 入庫時間 2022-08-17 11:36:55

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